Translated version of http://www.welt.de/data/2003/03/08/49489.html
>> In Pizzikatogewittern
New pieces of Pint and Goebbels
Berlin the new is still new? In the habit course of German concert nature the subscribers pass over notorious Urauffuehrungs-Viertelstuender long experienced. For it the new is not new.
In a metropolis such as Berlin, satisfied with contemporary music, that cannot be different. Here at the most the names of the Uraufgefuehrten are more prominent - admits however not yet in such a way like the music property produced by them.
Two premieres current star of the new music market rang out now in the citizens of Berlin Philharmonic Concert Hall. Matthias Pint (32), stage-established beautiful spirit under the Avantgardisten, has, then it admitted, never a as large step made as in the approach on "EN sourdine". Here it is with imaginary theatre, which it favored so far, past. The Solist is not here Protagonist, but soft mediator.
Frank-Peter Zimmermanns of elegisch meditatives Violingeflimmer draws klangsensitiv the orchestra bell course under the conductor Peter Eoetvoes. Absorbed Klanglichkeit, overtone Gefitzel in Pizzikato thunderstorms, which twitches and ignition ELT still for a long time, after everything is clear.
<< and never never use computer translation except for quick reference
>> In Pizzikatogewittern
New pieces of Pint and Goebbels
Berlin the new is still new? In the habit course of German concert nature the subscribers pass over notorious Urauffuehrungs-Viertelstuender long experienced. For it the new is not new.
In a metropolis such as Berlin, satisfied with contemporary music, that cannot be different. Here at the most the names of the Uraufgefuehrten are more prominent - admits however not yet in such a way like the music property produced by them.
Two premieres current star of the new music market rang out now in the citizens of Berlin Philharmonic Concert Hall. Matthias Pint (32), stage-established beautiful spirit under the Avantgardisten, has, then it admitted, never a as large step made as in the approach on "EN sourdine". Here it is with imaginary theatre, which it favored so far, past. The Solist is not here Protagonist, but soft mediator.
Frank-Peter Zimmermanns of elegisch meditatives Violingeflimmer draws klangsensitiv the orchestra bell course under the conductor Peter Eoetvoes. Absorbed Klanglichkeit, overtone Gefitzel in Pizzikato thunderstorms, which twitches and ignition ELT still for a long time, after everything is clear.
<< and never never use computer translation except for quick reference
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